Picture/diary of my modifications to my electric (Skutt 1027) kiln

Introduction (Last modified: 7 Jan 02):

For a long time, I was disappointed with my electric kiln's efficiency and it's tendency to let the kiln temperature drop like a stone causing poor glazes and dunting cracks. It took me a long time to get the courage to modify the kiln, but once I took the plunge it was incredibly satisfying. The modifications for me cost about $120 all told and took 2 afternoons, one of three hours for the kiln lid, and one of about 2 and a half hours (with a trip to the hardware store) for the actual kiln modification. It's easy to see that the entire thing can be done in a single day by a determined person. I have to add that this is how I did it. This is not the way to do it, if there is one, and following these steps will not guarantee success. Don't sue me.

I've tried to build this page quickly (so it's not pretty) but also as complete and easy to understand as possible. I'd recommend everyone read through the page completely before attempting to modify their kiln, and then read along while doing it. I'll try to cut out as much wordiness as possible.

If you're looking only for the pictures, they are cataloged also on a seperate page. There aren't as many as I thought, but if you should want a picture of a specific thing, email me and I'll try to post it.

If anyone has questions or concernes, feel free to email me at jwpennin (at) bellsouth.net, or ask on Clayart. Good luck with your mods.

-Jonathan Pennington


Table of Contents


Tools and supplies needed

First let's talk about tools and supplies. Part of the reason that my modifications were so cheap was that I relied mostly on used and cheap materials. I'll include the list of materials, as well as the tools I found necessary so that you can try to limit runs to the store and stalls in work.

Tools:

Supplies:


Modifying the kiln

Remove Hardware

In order to prepare your kiln, you will first need to remove all the harware from it. Remove everything, the latches, handles, lid hinge, controller or sitter. All of these screws actually screw into the soft brick, so you'll need them out to move the steel. See the picture.

If you want to place thin strips of kaowool between the sections of the kiln (My kiln sections were pretty open), do it before you remove the hardware. It's easier lifting the kiln sections with the handles attached, and once the jackets off this step is nearly impossible to do easily.

After removing the hardware, you should look at the elements and thermocouple area (remove the thermocouple too). There should be a second piece of sheet metal about 2-3 cm away from the jacket. It's there to hold the thermocouple and (I imagine) the ceramic parts of the elements. There is a picture of the sheet metal cut to remove it from the elements, and a picture of the top sheet metal removed, but the bottom piece still present. There is also a picture of the element wires without the sheet metal. My Skutt kiln's elements are permanantly attached to the wires. In order to slide that extra sheet metal out, I would have to remove the wires from the elements, which would involve cutting them- I'd then be forced to install new elements. Instead of doing this, I used tin snips (Heavy sissors for cutting sheet metal) to cut the small piece of sheet metal away from the elements. Be careful! You do not want to accidently (as I almost did) cut an element wire, and you want only to cut the small piece of sheet metal, not the jacket.

Open stainless steel jacket

After you remove the sheet metal extension, you should have only the metal jacket and the element wires on the outside of your kiln. Find some things that are about the same height as the various sections of the kiln, two per section. You are doing this because you still cannot remove the sheet metal jacket completely away from the kiln (due to the elements), so when you loosen the clamps at the back of the jacket, you will be essentially opening up the kilns jacket. By having something the same height as the sections, you can rest the steel for each section on it, away from the kiln, and not have it hanging down and putting stress on the element wire. It sounds a bit complicated, but when you do it you will see exactly what I mean. Now open the kiln jacket and see your kiln in all it's naked beauty.

Ahh! Wait! Watchout!!!
That's just what I said. Don't make the stupid mistake I did and assume the kiln company mortared those bricks together. The jacket to the kiln is the only thing holding them together. I found that they are still pretty stable (I was rather rough with my kaowool), but at one point I actually leaned against the kiln and the entire top row of bricks shifted out of alignment. Be careful, don't jar things unnecessarily. It's easy enough to put them back in place, but I cracked two bricks by being clumsy.

Install kaowool blanket

At this point, you can install the kaowool blanket (fiberboard, pepperoni pizza, whatever you're using). The hardest part is figuring out how to get the area around the elements sealed well. The steel jacket is about an inch away from the kiln wall in this area, and the elements are permanantly mounted, and staggered. I decided to make this the seam of my blanket, since it's going to be broken anyway.

To fit the wool snuggly into the seam, I took some heavy bandage shears and cut into the kaowool so that I could then slide the kaowool into the elements. (I couldn't take a picture of this, so I'll try to explain.) The elements are spaced about every 4-5 cm, so if you make cuts into the end of your kaowool about every 4-5 cm you should be okay.

If you want to get closer, I found that sliding the blanket in between the jacket and kiln wall, as if you were installing it, then pushing hard against the element wires will actually dent the end of the kaowool enough that you can pull it out and cut it right where the elements hit it. Because the elements are staggered, you'll only cut spaces for every other one this way. You can either cut in between them for the other elements (leaving the other end of the kaowool blanket uncut) or do the same thing with the other side of the blanket and have the seem of the blanket in between the elements. I choose the latter, and I've made a drawing of what I'm talking about showing the elements and the kaowool. The cuts I made are drawn in red. This puts the seam of the blanket in between the elements. You'll have gaps in there, I filled them with strips of kaowool packed in. The nice thing about this step is that the steel piece that you removed earlier is about the same thickness as the kaowool. This means that when you slide that blanket into the elements, the ceramic tab on the element sits near perfectly on the surface of the kaowool, and the thermocouple is the same distance from the kiln wall as before. I thought that was serendipidously sweet!

For most of these steps, if you don't have someone helping you (I didn't), you will have to find ingenious ways of getting the kaowool to stay against the kiln without falling out. It was a bear, but I can give you some tips. Don't use the duct tape! The tape will only stick to the outside surface of the blanket. The blanket is made of fibers that are essentially tangled together. The blanket will still fall and you will be left with a piece of duct tape with kaowool stuck to it. You can try to tie the blanket on with twine- I thought of this after the fact, so don't know if it works easily. Tie the kaowool to the kiln by wrapping the twine around the bottom, then make your cuts into the top and slide them into the elements. Then tie the very top to hold that section in place, remove the twine from the bottom and make the cuts there. It seems like this would work alright. If you are one person you can also (as I did) cut the blanket in half and have a seem at the elements and one in back. It might make it easier to handle half the kaowool at a time. I did this without thinking about the twine method though- I'd choose tying it before cutting it.

As for the orientation of the blanket with respect to the kiln wall, I placed my blanket so that was more or less even with the top of the kiln. There will be a good bit of extra at the bottom, but I just cut that off (I think I have just enough left over to build a small raku kiln).

Rewrapping the kiln in the jacket

Leave the twine holding the kaowool a while while you build your sheet metal extension and re-wrap the kiln. For the extension, I used a 4 inch drier vent pipe. Another thing sold by the inch here- did you know the US Congress officially switch the US measurment system to metric somewhere around 1900? In 2001 I still have to by drier vent by the inch, ridiculous! At least it's cheap.

Take the drier vent and open it up by pulling it, stepping on it, yelling at it, whatever. You're looking for a fairly flat piece of metal. The ridged part at the bottom will prevent it from opening up fully, you're going to cut this off eventually, so do it now if you want, you can also measure the height of your kiln and cut the piece to size now, otherwise you'll have to cut it with tin snips while it's on the kiln.

Now you're ready to rewrap the kiln. Take your hose clamps and attach them to one end of the jacket, place your sheet metal extension into the space and loosly screw the hose clamps into the other side just enough to hold them from falling.

The problem with this method is that placing the kaowool between the jacket and kiln wall makes the jacket larger and screws up the alignment with the element holes and peep holes. I decided that proper alignment with the elements and thermocouple was paramount. While the jacket is still loose, shift it so that the elements are sitting fixed in the holes of the sheet metal, and not pulled to one side or another. Then tighten the clamps enough to hold the blanket in place.

I think this tightening is important. It seems to me that some of the insulation benefit of the kaowool comes from trapped air in the blanket, so you don't want to tighten this in a death grip or you will compress the blanket. I took a philosophy from my Aikido instructor and tightened it like I would hold a bird- just tight enough so it wouldn't get away, loose enough that I won't kill it. There is a bad picture and a good picture of the extension and hose clamps. It's close to a wall, so getting a good picture was hard. There is also a rather blurry picture of the kiln with the kaowool installed.

Cleaning up

Thermocouple reinstallation

Now that the kaowool is installed and the jacket's in place, you'll want to clean things up a bit. Let's start with the elements area. The first thing you'll do here is reinstall the thermocouple. The way I did this is pretty simple, and keeps a bit more insulation. Take the thermocouple and insert it into the original hole inside the kiln, then hold your hand against the kaowool around the original thermocouple hole and push the probe through the blanket. It'll take a bit of a push, but the probe should pierce the blanket nearly in the center of the original hole for the probe. Now take the probe out of the kiln and stick in the proper side of the blanket, as if you were installing it correctly. Looking into the kiln, the probe should extend just about as far as it originally did. Now mark and drill tiny holes in the sheet metal for the probe housing, then screw the housing to the sheet metal. No, mounting the probe against the sheet metal is not as stable as driving screws into the bricks, but you don't need it that stable.

Controller or kilnsitter

I don't know anything about how the kilnsitters work, but for those who have the kiln-mounted controllers, you will not be able to re-mount the controller on the kiln. I originally mounted mine onto a wooden stand next to the kiln, with holes in the rear for the element wires. I'm changing that now and will eventually mount it another way. right now, it is resting on firebricks right next to the kiln. You should be fine as long as things don't get in there and short the lines.

Peepholes

If you want all of your peepholes back, you'll have to cut the kaowool away from them. However, because of the new orientation of the sheet metal, the holes in the metal do not quite match up with the holes in the kiln wall. You can deal with this as you like. I cut a bit away from the sheet metal of the top peephole and left the bottom ones alone for now.

Kiln top

You took both the handle and the hinge off the lid, so at this point you'll need to decide how you want to handle your kiln lid. Right now, I'm lifting mine by hand, but that's not going to last. I'm thinking about building a rigging into the sides somehow that will allow me to create a block and tackle like system in the ceiling. The problem with this is that in the tiny crack that exists between the upper (new) and lower (factory) lid, I can see red while the kiln is firing, which means that the entire factory lid is red hot. I'm worried about putting anything into that lower kiln lid because it may fail. The upper kiln lid is pretty cool though, I can rest my hand on it comfortably when the kiln is as 1206 deg C. That's a pretty nice feeling!

Envirovent

One potential problem, especially with the second lid, is that the envirovent has to have holes in the top. Unfortunately (or perhaps, fortunately) my kiln top doesn't seal perfectly. I can look when the kiln is at temp and see a small gap between the kiln wall and the kiln lid. For this reason, I just set the second lid atop the first and didn't worry about covering the holes in the kiln lid because there's plenty of ventilation. I've considered trying to change this, but am not sure quite what to do.

Building my kiln wall

I'm in coastal South Carolina right near the salt water marsh. Our house is on a flood zone, and therefore on piers. My kiln is in under our house, which to us is a basement, but to most other people is on the ground floor and outside. In this picture of the kiln without the hardware, you can see 2cm wood slats in the background with about a 2cm seperation between each. That's sunlight reflecting in the background. The kiln is essentially outside, and I wanted an additional level of protection from the cold wind that sometimes steals more heat from my kiln. I decided to build something of a portable kiln room.

I took a bunch of old firebrick that I bought used for $.10/ea and built a wall around the kiln, about 4-5 cm away from the jacket. This provides a second barrier against the cold, but allows the heat to escape before becoming a danger to the jacket and element wires. Even when it was below freezing on the outside of those bricks, it was over a hundred degrees in between the bricks and the jacket. I don't know what that translates to in dollars and kilowatts, but every little bit helps. It's loose and laid dry now. soon I'll mortar it. I'll mortar it in sections, so I can move it if I need to, but it's a bit more stable and effecient. There's a picture of the kiln with the wall and the controller.

Notes and Afterthoughts

This section is for adding stuff that I should think of later, or stuff that people email me about.


Making a second kiln lid

This is a much easier accomplishment than the modification of the kiln itself. It is also something that many people will want to do differently. However, in the interest of completeness, I'll describe it shortly.

I used many used IFB that I bought for $.25/ea. I laid them on their sides and approximated the size and shape of the original kiln lid. Then I placed them onto a piece of 3/4in plywood in the correct orientation, set the factory lid on top of them, and used that as a guide to cut the bricks to the same shape.

After this, I removed the original lid, took pieces of metal flashing and cut them to go around the lid, then tied this all together with a piece of twine to hold it in place. Then I took the hose clamps, it took 6 to go around, and put them together, then put them on the lid and tightened as much as I could.

That's it. It's laid dry and held by compression. I poured some kiln cement over the top as a sealant, but I don't think it worked very well and wouldn't do it again that way. If the hose clamps are tight, and your cuts were clean, you should be okay. However, I have not used this lid as my primary lid, and would not unless the bricks are mortared. Eventually, I will buy some new brick and mortar a nice lid together and use it as the primary lid, but until then, having this as a secondary is nice, and holds a hell of a lot of heat in. There is a top picture of the new lid (with my hand for scale) and a side picture of both lids together (Also with my hand for scale).

What I'm thinking of doing is building a drylaid lid in a square with bricks laid on their ends. That would allow me to use turnbuckles to tighten it, and mount hardware on a block and tackle from the ceiling. For this, however, I might just wait until I build my gas kiln.


Temperature tests and effeciency numbers

I'll get some numbers here as soon as I can.